History

During his 22 years as chair, Fleming published his landmark book, “Arts and Ideas” (Wadsworth Publishing, 1955); molded the department into a national leader in interdisciplinary studies of the arts; and launched the only accredited American master’s degree program in art history, in which a majority of coursework was done in Italy. Fleming’s impact is still felt through “Arts and Ideas,” which, in its 10th edition, is a vital part of the curricula of more than a thousand institutions worldwide. The book has also achieved wider recognition for spurring on the interdisciplinary humanities movement.
In 2009, almost 40 years to the month after Fleming’s retirement, the Department of Fine Arts rechristened itself as the Department of Art & Music Histories. The name change was not only a marketing decision, but also reflected the growing emphasis on interdisciplinarity at SU. As one of The College’s signature departments, Art & Music Histories fosters a rich cultural and historical understanding of art and music among its students, and prepares them for a range of fields. In doing so, the department often partners with sister schools and colleges, notably the College of Visual and Performing Arts, which, broadly speaking, promotes the practice of art and music.
Recent faculty activities include the 2012-2013 Ray Smith Symposium, “Moving Borders The Culture and Politics of Displacement in and from Latin America and the Caribbean”; Gary Radke’s Leonardo da Vinci exhibitions at the High Museum in Atlanta and the Getty in Los Angeles; David Tatham’s “Winslow Homer’s Empire State: Houghton Farm and Beyond” exhibition at SUArt Galleries; and the “Forum on Music and Sound in Film,” led by Stephen Meyer, Theo Cateforis, and Owen Shapiro (VPA).
